Summer of craft: portable projects, children’s activities

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Only a few more days of school to go and the UK branch of Sheep Cabana is getting ready for the summer holidays.

I tend to travel with fiber, handcards, a drop spindle, knitting and a crochet hook… you can see where this is going. No wonder my bags are always inspected by the TSA! When we go camping later this summer, my Ashford Joy will come with us.

Last year I considered bringing my 15″ Cricket loom with me on holiday, but decided against it. There are more portable weaving projects like tablet weaving, small tapestry looms and pin looms that are better suited to travel. One of those (or two) will be in my suitcase in the coming weeks.

Pin looms are also a great way to get children interested in weaving. They’re small and easy to handle.

Kids love rigid heddle loom

Kids love rigid heddle looms

That said, I recently set up the Cricket for my six-year old boy and he loved it. Imagine me glowing with pride as his project grew. Amazing!

First project

First project

The May/June 2015 issue of Handwoven featured two fun-looking projects for children. One was a Hula Hoop rug. I found this tutorial on YouTube posted by a young woman who made something similar for a girl scout project. I love the idea of children sharing their craft knowledge online.

The other Handwoven children’s project is sort of a mini-tapestry necklace or decoration by Jennifer Lee. All you need is some cardboard, yarn, a tapestry needle and maybe some beads. There are plenty of similar projects demonstrated online. I’m going to try this out with my little one. Once he gets into something, he tends to go into manufacturing mode. We shall see how many of these we have at the end of the summer.

Mini tapestries

Mini tapestries

There is also a free e-book on the Interweave site with weaving projects for kids. If you are massively ambitious and have tons of Lego, check out this automated loom. Wow. For those of us who prefer something low-tech, don’t forget the ultimate portable and child-friendly fiber project: pompoms!

Pompoms!!!

Pompoms!!!

Here’s another idea from Handwoven that caught my eye: grass cloth. For those of us wondering what it is, grass cloth simply is cloth woven with dried grass in the weft. Apparently grass cloth wallpaper is trendy these days. Who knew.

Weaving grass cloth is not really a portable project, but it does require grass that you might find when you’re strolling along the beach or through the countryside as part of your summertime ramblings. Handwoven’s grass cloth journal instructions for the rigid heddle loom can be found here.

What I love about this project is it can be made from materials gathered either in your neighbourhood or while on holiday. It’s sustainable, eco-friendly and a keepsake.

 

 

 

But is it yarn?

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Art yarn?

Art yarn?

Ah the allure of Art Yarn. Behold its super-chunky sparkle, its beads, its coils and luscious locks. Resistance is futile. Or is it?

When I started to spin I announced to Sal that all I wanted to make was art yarn. I probably told her I wanted to explore colour and texture. I was making it up.

Sal told me something like this: If you’re ever planning to make anything like a sweater or a wearable garment you should think about making less-arty yarn.

She had a point.

These days I think about hand spun yarn completely differently. What I used to consider art yarn, I now classify as novelty yarn.

Most of the time I’m experimenting with new materials and techniques. I’m spinning to weave or to knit. My use of art yarn is sparse. That’s partly thanks to my fairly boring sartorial habits. Sal tells me that’s a trend now! Yay!

So what about art yarn?

Last month Alison Daykin gave my guild a talk on art yarn (see below). Beforehand I was curious what she would have to say and it got me thinking. What is art yarn? Is it yarn for yarn’s sake? Is it a novelty item? Does anyone actually use it?

I still make a lot of art yarn, but I call it handspun. Like most spinners I’m experimenting with colour, texture and gauge. Most of it isn’t sparkly or bejeweled. The excitement is in the color or the materials.

Here’s some sport weight yarn I made for a weaving project.

Blue yarn

Blue yarn

The blue colorway is a combination of natural coloured and dyed fleece.

The red is a blend of acid and natural-dyed fleece as well as natural coloured. To me these are rich in colour and texture. I’ve made little aesthetic decisions throughout the making process.

Red yarn

Red yarn

Is it art or is it yarn?

These are some examples of what are more commonly considered to be art yarn. There are the dyed locks, the thick/thin look and some bouclé-like yarn.

Bouclé, sort of

Bouclé, sort of

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Thick thin

Yarn or art? Both?

Lexi Boeger sees it this way: “I believe the onus is on the buyer to look at the yarn and be able to determine an appropriate project to use it for. This puts more work on the buyer, but ultimately it will make that person also more creative..” (See Spinartiste)

Boeger goes on to say that art yarn can help the knitter (or weaver for that matter) think beyond the pattern and become a designer. My reading of that is: art yarn can be a starting point. It asks the question: what can you make with me?

It’s worth pointing out that Lexi Boeger isn’t making art yarn anymore.

Locks

Locks

JazzTurtle has a long list of patterns that can use art yarn. But to me art yarn is perfect for weaving–especially saori weaving, which is all about experimentation and personal expression. It’s not really concerned with pattern or convention.

This saori-inspired piece uses some art yarn. For me this piece was a big departure from the norm. Here are colours and textures far from my comfort zone. It marks a step in a creative journey, but I’m not sure the path ends at art yarn.

Weaving with art yarn

Weaving with art yarn

[Sal here. I’m going to horn in on your post for a minute]

I would argue that handspinning is technology, and as such there is an intrinsically practical component to the resulting product. Some yarns take a good deal of skill to make well (bouclé for example), or have aesthetic consideration in their colors or textures (as yours do above), and this intersection of technical skill and aesthetic consideration I would call “craft”. Calling something “art yarn” is almost oxymoronic. Yarn for yarn’s sake, as you say, really makes no sense— like building a chair that you can’t sit on. But I know plenty of people who spin and never do anything with the yarn because they don’t knit or crochet or weave, and are perfectly happy that way. I suppose there is a Venn diagram we could make that shows the people who like to build chairs, but don’t actually sit down. I think one could certainly make yarn that’s an end in and of itself, and it could be considered art instead of artisanal, but I think the intention behind it is key, because it would be subverting the concept of yarn. The rest, as you say, is novelty yarn. I’m curious what your guild speaker had to say on the subject. And if they have any good patterns.

[Now back to our regularly scheduled blog post ;)]

Fancy Yarn and permission to spin

When Alison Daykin came down from Derbyshire to talk to the Mid-Essex Guild about art yarn, like Sal I was curious what she had to say about art yarn. One reason for that curiosity was I suspected [knew] many guild members were dubious of art yarn. Many–not all–take the view that art yarn is what you make when first learning to spin. “Don’t worry,” they tell new spinners. “You’ve just made art yarn!” And then everyone laughs.

Alison Daykin described what she makes as fancy yarn, not art yarn. Fancy yarn, Alison explained was any kind of yarn you made that’s non-standard–core spun, bouclé, crepe, thick/thin–that has some irregularity in the making. That irregularity could be introduced in any or all of the steps for making yarn: prepping fiber, color blending, spinning and finishing.

According to Alison, fancy yarn isn’t anything new,  in fact Mabel Ross, author of The Encyclopedia of Handspinning, was an early advocate of fancy yarn.  However, when Alison started spinning in the late 80s/early 90s she felt spinning non-standard or fancy yarn was discouraged. She was taught that the point of spinning was to churn out yards and yards of yarn that looked like it had been made in a mill.

“I wanted to make different yarn and I felt inferior, because I didn’t want to spin plain yarn,” she said. But after taking a course on spinning and dyeing for tapestry weaving from Bobbie Cox, Alison felt she had, “Permission to spin whatever I wanted. Once you know the rules, you can break them.”

Art yarn, Alison said, is a term that grew out of a trend of making yarn out of recycled materials like plastic bags and cassette tape. She did not see the point in putting yarn in a bowl or hanging it up to admire.

“If I can’t use the yarn, then I’ve wasted my time. Use it to make a garment look different. If you use a little yarn in a piece, it can look lovely. Art yarn has got to be practical as well as beautiful,” she added.

 

 

Hot Tips for Scouring Fleece

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Our last Guild meeting was all about scouring fleeces, presented by Cydne Pidgeon.

Tip #1: If  you’re going to be scouring a whole fleece, place the fleece in a grocery basket that fits inside a large rectangular storage tub. You can fill your storage tub with hot soapy water and then lower the fleece in the basket. This way the fleece is always supported, even when lifting it back out to drain. You can have a second storage tub with hot rinse water at the ready. As a bonus, you can use your storage tubs for actually storing things when not in use.

Tip #2: Don’t rinse it yet! Spin all that hot soapy water out before you rinse it. Cydne was doing this demonstration outdoors, and she had one of these devices:

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This is an electric spinner. The advantage over your top load washer’s spin cycle is that it can go up to 1800 rpm, so it can get all the water out very quickly. It also runs on 110V instead of household appliance 220V, so it’s easy to plug in outside with an extension cord. It has a drain spout on the bottom so you can catch the rinse water, which is advantageous if you have a septic system like I do, so you can divert that grey water out of the sewer and onto your flower beds instead. This nifty device can be purchased here.

Cydne passed around a lock of scoured, spun-out Rambouillet, and it was very clean and almost dry. Since all the soapy water has been removed, there’s only need for one rinse. She spun the fleece in the spinner again after the rinse water, and it was clean, unmatted in any way, and again, almost dry. Fabulous!

Tip#3: If you’re only scouring some locks inside a mesh bag in a smaller bucket, you can still spin between the wash and the rinse…just use a salad spinner. These are readily available at second hand stores, so you don’t have to share with your lettuces.

Tip #4: If you are scouring very fine fiber (like angora), mesh lingerie bags are usually not small enough mesh to keep the fiber in. Bridal veil material is very fine mesh, and you can easily sew up your own bag with a zipper on top.

It’s hot outside. Those fleeces will be cleaned and dried in no time.